Wednesday, July 20, 2016

SINS OF OMISSION - Entry #35: Lost in Translation (2003)



Just reposting my original review of this from January,,,enjoy, again!

I've just say here dusting off my keyboard and surrounding desk with a sock from the laundry, trying to figure out just how to start this thing. Truth be told, I really didn't plan on doing any reviews again, this soon. Thing is - I just happened to watch "Lost in Translation" last Monday and shortly thereafter, realized it was a former BOOK movie. I tossed & turned on the issue of whether or not I wanted to keep this blog going and ultimately, I think I do! In reality, I've actually used my own blog a lot lately - mainly to recollect my opinions of certain films and I've realized in the past week or so that it's nice to have a database of reviews under my belt and it's also nice to know that anytime I get the itch, I can add to it and maybe someday, have this gigantic, mass library of reviews & thoughts - a movie diary - which was always my original goal. Anyway...let's move along and see what I can put together on this one. Don't expect Shakespeare, because I'm definitely not in review mode.


The setting is Japan and the main characters are 1) an aging actor, Bob Harris (Murray) and 2) the young wife of a photographer, Charlotte (Johansson). Charlotte's husband is on assignment in Japan, often leaving her for hours on end to entertain herself in the hotel, while he goes on photo shoots with rock bands. Charlotte is experiencing a mild case of insomnia, not to mention a bit of depression, wondering if her choice to get married was a good one. She sits for hours on end, staring out the window - staring at a foreign land where surely no one understands her plight. Meanwhile, Bob Harris is the aforementioned aging actor, in Japan to shoot advertisements and commercials for a brand of whisky. Harris suffers from similar, psychological ailments as Charlotte - insomnia and the wonderment of whether or not his marriage is crumbling. Bob finds temporary solace in the hotel's lounge, knocking back scotch and sucking on stogies, listening to the redheaded lounge singer belt out tunes, while the clanking of glasses and mutter of conversation keep Bob company. One evening Bob and Charlotte meet and quickly realize that they can connect in this foreign land, perhaps help each other fill the silence, keep each other company, give each other advice, become friends, perhaps. The two hang out, Charlotte even introducing Bob to her Japanese friends (the whole reason Charlotte tagged along with her husband, was because the couple actually had a few Japanese friends). The film is ultimately about loneliness and an unlikely friendship that helps to heal that wound.


Let's talk about my recent trips to Philadelphia and how those helped me to, maybe, understand this movie a little better. So anyway, I went to Philadelphia for the very first time in May of last year, despite living in Pennsylvania all my life and the trip to the nation's former capital only being like six hours away. Anyway, when we were there in May, the city felt so different. I loved it, don't get me wrong - but just being there felt very different than being in say - the city of Pittsburgh, a city I've visited multiple times throughout my life. Both are run of the mill big cities, complete with big buildings, lots of people and pizza places that are open later than any pizza place in my dinky, little town. However, I really felt like a stranger in Philly. Just looking out the window one evening, a window that overlooked Citizens Bank Park and Wells Fargo Center, I felt so far away from home, despite really not being THAT far at all. We went back in December and I felt a little better, but still I definitely felt like a stranger in a strange land - a feeling that I neither loved, nor hated. I can say for sure, that had I not been with my wife, I really would've felt out of place, unable to sleep and ready to trek down to the hotel restaurant nightly to try and find a waiting ear. Now then, this is Japan we're talking about - a lot more than hop, skip & a jump away from home and I can only imagine that at that distance, the term "stranger in a strange land" took on a whole new meaning, putting my six hour "odd feeling" to shame. Add to that two personalities that are already troubled - rocky marriages and general gloomy outlooks and you've got the right mix for a movie that makes sense and I think, is easy to identify with.




What exactly was this relationship though? It's definitely a pairing that is rife for examination and dissection. Were their romantic buddings? I'd LIKE to think not and prefer to think of the relationship between Bob and Charlotte as unlikely friends. It's not even a father/daughter type of deal, because the two were clearly striving to be equals, Bob turning his shirt inside out and asking Charlotte to cut the tag out, so that he could look cool hanging out with the youngsters. However, there seemed to be a sense of shame in the Bob character when Charlotte catches him with the redheaded lounger singer. There also seemed to be a bit of awkwardness in their penultimate, goodbye kiss - an awkwardness that might be felt by an older man, who knows this girl is clearly out of his league, yet hanging on to hope that he may still strike something up. I think it was a very well written film, nuff said. When you can pick apart characters and little nuances like that and wonder & wonder & wonder about what exactly was at the root of this relationship - was it father/daughter, was it romantic or was it merely friendly - then it's safe to say that it's this whole new sort of relationship, one invented by Sofia Coppola when she decided to put pen to paper. I'm not even going to go into the whole final scene and "what did he tell her" deal, because it's been analyzed to death. All we need to know, is that they shared a special bond and it wasn't just a "hey, you're here and I'm here, let's hang out" type of deal. The film is the documentation of this bond and years from now, when Bob is dead and Charlotte is old & gray, she'll tell her children of the man she met while in Japan and she'll smile - at least I think so. The ending, was the last special moment, of a group of special moments and hopefully, imaginary, old lady Charlotte will keep what Bob told her to herself and never tell another living soul.


I really need to get a move on and see The Virgin Suicides and Marie Antoinette and whatever other movies young Ms. Coppola has under her belt. Oh boy, I just looked and one of her films is called The Bling Ring - that sounds like straight up garbage, right there. Maybe, I should just quit with Lost in Translation. I will say this, on a totally serious note, with Lost in Translation, Ms. Coppola out did her her father big time, making a movie that bested anything he's done in the last forty years. I mean, seriously, have you seen some of the tripe that Coppola has directed - JACK for God's sake! All kidding aside, however, I agree that this is a "must see" film and really, it should have never been taken out of the pages of the 1001 Movies You Must See Before You Die book. In fact, I was all set to say "it should've won the Best Picture the year it was nominated", but I just looked and it had some stiff competition that year - in competition against LOTR: Return of the King (the winner) and Mystic River (a personal favorite). It's good - that's all you need know...

RATING: 9/10  I've become a real hard ass on giving out '10' ratings, but this was darn close. Easily rewatchable, with not only a great script & great direction from Coppola, but super fine performances from Johansson and Murray, the latter of which walks a fine line between dramatist and comedian, and balances it flawlessly.

4 comments:

  1. Allmost a perfect movie. Correction, it IS a perfect movie and one I watch at least once a year. On a visit to Japan I even went out of my way to seek out locations from the movie.
    There is a very existential element to the movie that is difficult to describe but touches something very fundamental and I think Bob and Charlotte meet and share that experience and that is all their relationship is. Not sexual or a father/daughter thing, but an insight they feel intuitively. It is a very impressive achivement of Sophia Coppola to capture such a flimsy phenomenon and make us get it.
    The Bling Ring is crap. You can safely skip that one.

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    1. Always forget she did the Bling Ring...

      Thank you for the thoughtful reply

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  2. Welcome back Andrew ..
    So, OK, we are in a repeat mode .. I just hope I don't make a major boob and give a totally different response..
    It's a good film, that I enjoyed, and would have been very keen on at the time.... but I'm not so sure anymore if it's a stayer.
    I think it lived off the 'what did they say ' thing too heavily and for too log .. and I'm afraid I suspect it was a manufactured marketing gimmick. There never was an 'answer .. we were, from the start, being cynically manipulated to talk about it, thus giving the film an undeserved mystery and false depth.
    Wow, that came out as much more condemnatory than I intended. Something must have been in there that needed to come out ..
    Thing is, I didn't really want to slag the film off that much .. there was a lot in there about alienation tat I thought was good. Your tale of a trip to Philadelphia rang bells by reminding me about being dragged to Manchester for a works meeting. Now I'm moderately familiar with the city to not feel lost .. but as it ws our 'Christmas do', we had to go for a meal.. and as just about everyone else was so painfully young (my boss hadn't been born when I started to work for this lot), and we ended up in some (to me) nightmare trendy eating place full of chrome and glass and smug sneery staff who looked too young to be allowed in licensed premises, never mind work there. I felt very much like Bob did in Japan... except all I got was a crummy tiny meal.
    I'm getting sort of off topic here ...
    Any way, it was good to see a new post here Andrew ..I hope we see some more..

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    1. I agree with your comments about the ending actually and usually hate these false mystery elements. This one didn't bother me so much. I always viewed it as just a little thing that only the characters get to share. Thanks for the thoughtful reply Ray

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SINS OF OMISSION - Entry #65: Les nuits de la pleine lune/Full Moon in Paris (1984)

Running Time: 100 minutes Directed By: Eric Rohmer Written By: Eric Rohmer Main Cast: Pascale Ogier, Tcheky Karyo, Fabrice Luchini,...