Showing posts with label Sam Peckinpah. Show all posts
Showing posts with label Sam Peckinpah. Show all posts

Tuesday, October 27, 2015

577. Pat Garrett and Billy the Kid (1973)


Running Time: 115 minutes
Directed By: Sam Peckinpah
Written By: Rudy Wurlitzer
Main Cast: James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado, Chill Wills
Click here to view the trailer

GOING OUT WEST ONE MORE TIME

There's chicken cooking in the oven and Ruth tells me I have about forty five minutes or so before the dinner bell rings. Enough time to knock out one more review for the movie that I was able to take in early this afternoon - Pat Garrett and Billy the Kid. For the curious, I watched the restored version of the film, which runs 115 minutes, compared to the original 103 minute version.


It's another western kiddies, so it's horses, saddlebags, spurs, cowboy hats, boots, saloons, quarter shaves, outlaws, sheriffs and the norm. James Coburn is Pat Garrett, a former outlaw turned newly appointed sheriff of Lincoln. Kris Kristofferson is Billy the Kid, the resident outlaw of Lincoln and before the paint dries on the opening credits, he's in cuffs and captured via Pat Garrett. It doesn't last though, as he manages to escape the law, sneaking a gun during a visit to the outhouse and blowing away Garrett's deputies. And, it goes without saying, that this turns into a fugitive/captor situation and dammit, I'll be damned if there's much else to tell you...

I mean, yeah, it's a fugitive story, but it's a very unconventional one - something born out of wedlock when the Old West and the Hippie era bedded down one evening. Pat Garrett and Billy the Kid doesn't even seem like your run of the mill western. In fact, it feels more like Peckinpah & crew smoked a lot of pot, dropped a little acid and said "Hey, let's make a western!". It's a western where assembling a posse is just as common as having an orgy and self reflection seems to be a thing here, even though I'm pretty sure John Wayne never self reflected.



It's definitely a different type of movie and if you're a fan, I guess I get it. I, for one, didn't take to it. It's square peg didn't seem to fit my round hole....umm...that came out wrong. I like James Coburn as much as the next guy and I even dig Kris Kristofferson too (except seeing him clean shaven really threw me for a loop), so I kind of wanted to like this one. It was less than a month ago when Peckinpah's Straw Dogs finally made me see the greatness that COULD be Peckinpah, but unfortunately Pat Garrett... along with The Wild Bunch and "Alfredo Garcia" made me realize what Peckinpah's usual style is like and I don't think it's really for me. Here's my question though, since I just watch movies and rarely study the real life ins and outs: Was Peckinpah one of the guys who bridged classic Hollywood into the boom period of the 70s? Was he one of the guys that made blood, cursing and nudity more commonplace in film? He's gotta be, right?

RATING: 4/10  I'll give it some marks for originality, but it really did nothing for me and I'm glad it's behind me.

MOVIES WATCHED: 995
MOVIES LEFT TO WATCH: 6

October 27, 2015  5:37pm

Saturday, October 10, 2015

540. Straw Dogs (1971)


Running Time: 118 minutes
Directed By: Sam Peckinpah
Written By: David Zelag Goodman, Sam Peckinpah, from the novel The Siege of Trencher's Farm by Gordon M. Williams
Main Cast: Dustin Hoffman, Susan George, Peter Vaughan, T.P. McKenna, Del Henney
Click here to view the trailer

NOTE: I think anyone who can get through THE BOOK deserves, at least a bit, of attention. Therefore, I'd like all of you to head on over to cuemarks.com and give the latest posting, from author Donald, a good once over. Donald recently finished tackling the 1001 Movies You Must See Before You Die book (Tinker, Tailor, Soldier, Spy cover) and he's put together a CLEARLY well thought out piece on what his favorite movies were and a great introduction about what THE BOOK taught himself about his own film watching habits. Thank you Donald for sharing your site. I tried to add it to the BlogRoll so that more people could find it, but for some Blogger isn't allowing it. Big round of applause for Donald from yours truly.

I AM DAVID

No matter how many times I look (which is every day, practically), I can't get over how few movies are now on my Netflix queue. For the unaware, for the longest time and even today, I've only kept 1001 BOOK movies on my queue. We're getting to the point now where it's going to start screaming at me to add more movies.


I'd seen Peckinpah's Straw Dogs once before, in the winter of '08 when I took an even deeper interest in film and for the third or fourth time in my life, tried to rebroaden my horizons. The film takes place in Cornwall, England and upon film's opening we learn that David Sumner (Hoffman) and his new wife Amy (George) have just relocated to the countryside of Cornwall. Here's the thing: Amy grew up there, while David is from the U.S. and clearly experiencing a healthy dose of culture shock. We see from the beginning that the boys (some whom are childhood acquaintances of Amy) are oogling her from afar, while David seems, at first, oblivious to the harmless, unawares flirting that Amy is engaging in. In fact, the couple are on the rocks from the get go, as David is a mathematician, who has been given a grant to study abroad and often ignores Amy in favor of his black board - to Amy's dismay. Perhaps this is why she feels the need to, what she thinks is harmlessly, flirt with the men who are working on the Sumner's garage - more old acquaintances of Amy. It's also perfectly clear that David is a pacifist, someone who finds it very difficult to stand up for himself, someone who will avoid confrontation at all costs. By the film's middle, Amy has flirted enough to arouse the boys into a furious rage of hormones. When a group invites David out to try his hand at hunting, one of the men, Charlie (Henney), sneaks back to the married couple's farm house and rapes Amy. Does she enjoy it or not? One of the many questions you'll ask yourself about these somewhat bizarrely motivated characters when watching Straw Dogs, which I recommend.

SPOILER ALERT!


I'm 6'6" but that never meant I was a Hulk when it came to physical confrontation. I try to avoid it at all costs. I steer clear of dark alleys, whether I'm walking or in my car. I'd rather take the inconvenient long way around than be forced to walk shoulder to shoulder with a suspected hoodlum. In other words, I understood the character of David. There are so many layers to this movie, that it's going to be hard to really tackle it all and sound coherent, so bear with me.

I think I can also understand David's uncomfort at just the fact of returning to Amy's childhood hometown. My wife is from a different city than I and I know every time we go back there, as much as I'm accepted, I always feel like an outsider. I always wonder if I'm being looked at out of the corner's of the local yokel's eyes', as they try to will me away from THEIR hometown, someone who came in and STOLE one of THEIR own. I thin Charlie Venner and the gang always looked at Amy as one of theirs - one of THEM would marry her and thus all would be right with the world. I don't think guys like Scott or Cawsey would've even thought of raping Amy if she'd been married to Venner. But since she was finagling with THE OUTSIDER, they still thought of her as fair game. And perhaps she still thought of herself as one of the Cornwall gang too, which is why it really didn't seem to bother her when Charlie raped her. Perhaps she was simply craving the attention that the busy mathematician couldn't give her. My wife commented at one point that Susan George was a terrible actress, but I think the opposite. During the rape scene, probably a tough scene to tackle anyway, Susan George not only had to look disgusted, but flip back and forth between embrace and struggle. She balanced it well and proved to be more than just a pretty face.


And then, of course, there's the finale, which is every pacifist's dream. The boys come a calling for one of their own, who accidentally murdered a local girl. When David refuses to let them in, they begin smashing windows and threatening the life of everyone inside. David snaps and fights back. It all ends up turning out like an adult version of Home Alone and I kept waiting for David to place Christmas ornaments underneath the windows, so that he could jag the feet of the incoming intruders. Instead, it more resembles Home Alone: Adult Verson, with David boiling oil to throw at his attackers and using a bear trap as a weapon. By the end, David is defeated, but born anew, as he never knew this side of himself existed. Surely proud that he was able to defend his home, but at the same time realizing that his home lies across the ocean.

Really - say it with me - this film is a TOUGH NUT TO CRACK! The first half is odd because there doesn't appear to be any endgame. If you go into this movie blind (having not seen a trailer, nor read a synopsis) then you're watching this movie and there is no intended ending. If not for the motivations of the characters contained within the film (the rape, the attack on the farmhouse), then how would this film have ended? David and Amy quarrel forever and either divorce or realize they're destined to be unhappy. FIN! Because the character of David has no purpose in this film, if not for the villains and their treachery, right? That's the way I see it anyway. We're definitely dealing with a very different film here and one that I agree should have and of course WAS included in the "must see" text. It's easily the best Peckinpah I've seen and one that could technically be analyzed to death. A fantastic character study, but also a study on the motivations of others and the human metamorphosis when backed against a wall. Fascinating film, to a certain extent. But beware, the first half is a bit of a drag and we don't really start cooking until about the hour mark. That's just me nitpicking.

RATING: 8/10  I was all set to go '7.5', but I talked so much I managed to bump it up to an '8'. Nice to see some contenders coming down the pike this late in the game.

MOVIES WATCHED: 974
MOVIES LEFT TO WATCH: 27

October 10, 2015  1:34pm

Friday, August 28, 2015

503. The Wild Bunch (1969)


Running Time: 145 minutes
Directed By: Sam Peckinpah
Written By: Walon Green, Roy N. Sickner, Sam Peckinpah
Main Cast: William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien, Warren Oates
Click here to view the trailer

AND SUDDENLY THE SKY WAS BATHED IN BLOOD...

Recorded The Wild Bunch off of TCM the other night (have I mentioned how much I love Turner Classic Movies?), as I figured it would be one less to have to rely on Netflix for. As it stands right now, I only need twenty-six more discs from them and then my dependency on them becomes nil. Anyway, The Wild Bunch...*meh*...read on...


The film begins with a gang of outlaws, strolling into town, dressed in full military regalia. It turns out that "the wild bunch" stole the military clothes and are using them in their attempt to rob a railroad office. What they don't know is that a posse of bounty hunters have traced their trail and have basically followed them into town, setting up their battalion on the roof of a nearby building. When the heist is seemingly successfully pulled off, the bunch head out, only to be caught off guard by Deke Thornton (Ryan), who is leading the bounty hunters. He's taking a particular interest in firing off rounds at the leader of the bunch, Pike Bishop (Holden), a former friend, turned sworn enemy. The bunch eventually get out of their jam, head for safer ground, however, when they dig into their sacks of loot, they find bags full of washers, instead of the intended gold. Pike's group - along with his right hand man Dutch (Borgnine) and the Gorch Brothers, Lyle (Oates) and Tector - head for the Mexican border. The men get into a scuffle with Mapache, the general of the local military and to keep the peace, offer to work for him. They are given the assignment to steal sixteen cases of rifles from a train shipment and return them to Mapache - Pike & company agree. I'll close the plot synopsis by reminding you that no movie featuring a train heist can be all bad and that goes for The Wild Bunch too, although beware, it's not all good either.

SPOILER ALERT!


Mark another tick in the "massive disappointments" column, as The Wild Bunch wasn't even half as good as I was expecting. For six years now I've been flipping back and forth, reading passages from THE BOOK every time I watched one of the movies and for six years I've seen a firmly planted Ernest Borgnine, a mean look on his face, wielding a bull whip above his head, ready to strike. There were no bull whips in The Wild Bunch and upon closer inspection, it was never a bull whip at all. Anyway, for six years I've passed over this picture, trying to save The Wild Bunch for a rainy day, sure it would be the cat's meow. Well, this cat's got the croup because she sure ain't meowing. Oh I suppose it wasn't TERRIBLE or anything. Like I said, a train heist automatically gets it a few brownie points and what a train heist it was. It lasts probably twenty something minutes and after an hour and ten of a dragging western, it was a breath of fresh air in a porta-john. I wonder though - when the boys got the loot off the train, why did they then set the train on a backwards course? Wouldn't have made more sense to ride off and let the train keep rolling down the tracks, making Deke and company think that they were still getting away. When they set the train backwards, all that happened was Deke and his men simply rode off the track and now they knew that Pike had de-trained. I felt like there were some missed opportunities in this scene for some further suspense, now that I think about it. Why not make it a track that can't be easily just ridden off of, forcing Deke and his men to come up with something crafty to avoid being run over by a train? Why not leave the wagon wheel stuck in the broken bridge for just a little longer - send us into nail bitingly close territory. Great scene, but not perfect.


Of course, the other great scene of the movie, the one that will help get the film any points that it earns, would be the finale, when Pike & crew walk back into town, side by side, clearly ready to kick some heavy duty booty. I found it pretty perfect that Pike was murdered by a kid. It showed the chaos of the whole film and how literally ANYONE could just pick up a gun and start creating victims. Also, it drew back to the earlier scene - that some kids will grow up to become evil men - don't forget the kids burning the ants & scorpion. All in all, I'd chalk this one down as a disappointment, but let's just say that I could see arguments for it's greatness, so I'll let it slide in that respect. I wasn't particularly a fan, but I am a fan of so few westerns. I knew The Wild Bunch was never going to be my favorite western (an honor bestowed upon Once Upon a Time in the West - probably forever) but I was hoping it could crack the Top 5. Perhaps one of the upcoming Anthony Mann flicks or maybe even The Searchers can do it; three westerns that are still on deck.

RATING: 4.5/10  I feel like a '5' would be discounting the boredom I felt throughout the picture and that a '4.5' better conveys the ratio of good to bad.

MOVIES WATCHED: 957
MOVIES LEFT TO WATCH: 44

August 28, 2015  10:45pm

Monday, May 21, 2012

589. Bring Me the Head of Alfredo Garcia (1974)


Running Time: 112 minutes
Directed By: Sam Peckinpah
Written By: Gordon T. Dawson, Frank Kowalski, Sam Peckinpah
Main Cast: Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine
Click here to view the trailer

BLOODY SAM AND THE SEVERED HEAD

"Bloody" Sam Peckinpah finally makes his appearance on this blog, as I watch my first Peckinpah film for THE BOOK - "Bring Me the Head of Alfredo Garcia". This is the first of (if I'm not mistaken) four Peckinpah films and I can only hope they get better from here.

Warren Oates as Bennie
In Mexico, a powerful man named "El Jefe" summons his daughter to see him and asks her who the father of her unborn child is. After El Jefe's henchmen rip the clothes from her body and break her arm, she finally gives up the man's name - Alfredo Garcia - and El Jefe offers up $1 million to the man who produces his head. Two of El Jefe's henchmen, Sappensly (Webber) and Quill (Young) take a picture of Alfredo Garcia and spend the next two months asking anyone who'll listen, if they've seen Garcia. Finally, they hit some luck when a piano player at a bar, Bennie (Oates), gives them some hope. He doesn't admit that he's seen Garcia, but Sappensly and Quill are suspicious of Bennie and give him their card in case he remembers anything else. It turns out that Bennie does know Garcia and in fact, his girlfriend, a prostitute named Elita (Vega), previously cheated on Bennie with Garcia and informs Bennie that Garcia died recently. Bennie goes back to meet with the two henchmen, who are staying at a local hotel and informs them of the new developments. They offer Bennie $10,000 if he'll find the grave of Alfredo Garcia, dig up the body, sever the head and bring it back to them. He accepts.

A great scene featuring Isela Vega and Kris Kristofferson
Even though I didn't care too much for BMTHOAG, I can admit that the gritty style of Sam Peckinpah did appeal to me. The characters were slimy, the towns were desolate and the evil men didn't come any meaner than guys like El Jefe and his henchmen. Even the main character, Bennie, wasn't really your typical hero, as he more resembled a weasel. My problems with "Alfredo Garcia" were really with the script, as it veered too much from it's main objective, which was a man hunting down a grave, claiming the head and delivering it for a cash reward. There's a huge chunk in the middle of "Alfredo Garcia" where we simply follow Bennie and his girlfriend Elita, as they talk about the prospect of marriage, driving through Mexico and detouring for a picnic. In my opinion, the script needed a little more work and a little more focus to really hit the nail on the head. I also would have liked some heavier dialogue, as none of the characters are very outspoken and when they speak their lines, they really fail at hammering them home. It's as if none of the words that are being delivered are very important, as there's a lot of mumbling and there's no lines that really stick out or seem poignant or even important.

Trouble at the grave!
At times BMTHOAG reminded me of a failed Sergio Leone picture, as Bennie eventually transforms into a sort of outlaw, taking justice into his own hands and dishing out bullets as if they were dimes, treating his victims like parking meters. You can also see where modern directors like Quentin Tarantino or The Coen Brothers may have drawn some of their inspiration from Sam, with factors like violence and vigilante characters. In my defense, I'd have to say that I saw their films first and thus, sometimes I prefer them to the director's that they were inspired by. It's like eating a bacon cheeseburger and then going back and trying a regular hamburger, it just isn't going to taste as good. Ultimately BMTHOAG just didn't do it for me. There were certain scenes that grasped my interest and I was able to appreciate some aspects of Peckinpah's style, but there was more bad than good in this viewer's eyes.


RATING: 5/10  I'll still look forward to more of Sam's movies. If at first you don't succeed, try, try again.

MOVIES WATCHED: 459
MOVIES LEFT TO WATCH: 542

May 21, 2012  5:46pm

Sins of Omission - Entry #94: ZODIAC (2007)

Running Time: 157 minutes Directed By: David Fincher  Written By: James Vanderbilt, based on the book by Robert Graysmith Main Cast : Jake...