Showing posts with label Victor Fleming. Show all posts
Showing posts with label Victor Fleming. Show all posts

Wednesday, March 3, 2010

126. Gone with the Wind (1939)

Running Time: 238 minutes
Directed By: Victor Fleming, George Cukor
Written By: Sidney Howard, from novel by Margaret Mitchell
Main Cast: Vivien Leigh, Clark Gable, Leslie Howard, Olivia de Havilland

I HOPE I DON'T CATCH TOO MUCH HELL FOR THIS ONE

So finally we arrive at the grand epic, that is "Gone with the Wind". Eventhough this is one long, nearly four hour film, I'm going to bust the synopsis up into two parts, just for the sake of keeping things a bit more organized.

PART I

The film is set on Tara plantation in the state of Georgia, in 1861. Right off the bat we're introduced to the main character of the film, Scarlett O'Hara (Leigh) and her receiving the news that Ashley Wilkes (Howard) is getting married. Scarlett has had her eyes on Ashley for sometime, but she missed her opportunity, as Ashley is all set to marry his cousin, Melanie Hamilton (de Havilland). The following day at an annual barbecue, the news of the marriage is made public and Scarlett, being her usual selfish, spoiled self, proceeds to flirt with every man at the party, until finally, out of spite, accepting a marriage proposal from one of her many suitors, Charles Hamilton. It is also at this party that we're introduced to Rhett Butler (Gable), a suave gentleman from Charleston, who exchanges only few words with Scarlett, when he overhears her quarreling with Ashley and professing her love for him. At about the same time, war is declared and the Civil War begins, with all men enlisting, including Ashley and Charles. Before going off to war Charles ties the knot with Scarlett and in just about as quick of time, Scarlett becomes a widow, after Charles dies of pneumonia, during battle.

Scarlett's mother later suggests that Scarlett go to the Hamilton home in Atlanta, so that she may forget about Charles and hoping to see the return of Ashley, she jumps at the idea. Upon her arrival, Scarlett is accepted with open arms by Melanie Hamilton, a very kind-hearted, unselfish lady, the exact opposite of Scarlett. While attending a charity bazaar, Scarlett once again meets Rhett, and the two share a dance together, despite the fact that Scarlett is supposed to be in mourning for her late husband. The war carries on and the battle of Gettysburg is tough on the confederacy. Ashley is granted a three day leave over Christmas and arrives home long enough to visit his wife and hear Scarlett profess her love for him, yet again.

Eight months pass and the Union soldiers are running roughshod over the town of Atlanta. With Melanie in labor and with all the doctors in town tied up, tending to fallen soldiers, Scarlett is forced to deliver Melanie's baby herself. The baby boy is born, but the Melanie and Scarlett realize that they need to flee Atlanta. Rhett Butler arrives on a horse and carriage to take the girls, along with the baby and Prissy, the house servant, out of town and back to Tara. They travel far, but eventually, once the gang is out of trouble, Rhett leaves the ladies to fend for themselves, stating that he's going to enlist. Scarlett and Melanie make the rest of the trip alone, arriving at Tara, to find that it's surprisingly still standing. She finds her father, two house servants and her two sisters, but is pained to find out that her mother died. With no food and the Union soldiers still in charge of the area, Scarlett goes to the top of a nearby hill and makes her famous exclamation, "As God as my witness, I'll never be hungry again!"

PART II

Following the intermission, the movie picks right up, with Scarlett taking charge and putting her servants and sisters to work in the fields picking cotton. Melanie is still weary from the long travel home, so she's pretty much bed ridden and Scarlett's father has gone a bit mad, after the loss of his wife. Soon after, Ashley arrives home and Scarlett obviously still holds a flame for him, catching him alone in the field and begging him to take her away from all this, so that they can be lovers. Ashley admits that he wouldn't mind doing so, but that he could never break the heart of Melanie. The O'Hara/Hamilton/Wilkes bunch get more bad news when they realize that they must come up with $300 tax money, or they'll lose Tara. Scarlett makes a visit to see the now imprisoned Rhett Butler, who is being held by the Union and begs for the money, but he doesn't give in. Eventually the money is given to Scarlett, by another one of her former suitors, Frank Kennedy, who now owns his own lumber mill and who Scarlett schemes into marrying her, so that she can get at his money.

With the taxes paid and Scarlett now married for a second time, she takes over the lumber mill, also taking over the profits and using them to open up a sawmill, which later becomes a success during the rebuilding stage, after the end of the war. Some time passes and Scarlett becomes a double widow, after the death of Frank during a melee with the Union troops. With Frank's body barely in the ground, Scarlett makes her third marriage, and this time to the recently released Rhett Butler, who promises her a life of luxury, as he is now rich. The two get married and have a baby, which they name Bonnie Blue Butler. When visiting the mill one night, Ashley catches Scarlett alone and they are caught embracing, by two women of the town, including Ashley's sister, India. The embrace was harmless, but the rumor is spread and the reputation of both are in jeopardy.

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Let me start off by saying that if I were rating this film in sets, costumes, score, cinematography or acting, it'd be a winner. However, I feel the need to rate this film on an enjoyability level and when doing so, I'll have to admit that I didn't enjoy it all that much. Everything pre-intermission was fantastic. The story flowed along well and everything just meshed together beautifully. Scarlett gives her famous speech on the top of the hill, in a jawdroppingly gorgeous scene and BAM!...we're into the intermission. Then part two begins and they lose me. I mean, I'm still able to follow everything that's going on, but there's not a whole lot going on and this movie really starts to wear out it's welcome and get extremely boring. Part one is jam packed with stuff: the whole Ashley/Melanie wedding and Scarlett's protests, the beginning of the war, the birth of Melanie's baby, the trip back to Tara...all great stuff! Part two barely has anything going on, except for Scarlett's final two marriages and the return of Ashley Wilkes. Everything else is just filler and maybe I'm wrong, but it seems that even the cinematography diminishes in part two, as I can remember a lot of gorgeous imagery from part one, but barely any from the second part.

Another complaint, and maybe this is a silly one, but I'm going to try and explain it anyway, is that this movie, in some places, is too GRAND for it's own good. There's a scene with Scarlett and Rhett on the top of a hill, right when Rhett leaves the two girls to continue to Tara on their own. They sky is bright orange, the placement of the actors is perfect, the shot is breathtaking, the dialogue is all crisp and perfect, and then I realize that this is so good, that it's taking me out of the film. I'm finding myself breaking off from the picture and realizing that this is blatantly over the top, and not necessarily in a bad way, but in enough of a way that it's taking me out of the film. It's like all the realism that this picture could possess is lost, because everything just looks TOO good and the film is screaming "I'm JUST A MOVIE!!". I don't know, maybe none of that makes much sense, but bottom line is, that this is a real chore to sit through, ESPECIALLY everything post-intermission. Like I said, the movie really wears out it's welcome, and in my opinion this could've been cut down to right around three hours, and I would've enjoyed it that much more and probably would've actually considered myself a fan of the film. Vivien Leigh was amazing, Clark Gable was great, there were a lot of great things about this film, but when it comes down to it, I was bored out of my freaking skull, and ultimately I didn't really enjoy myself, and really that's what movies are all about...enjoying yourself.

RATING: 5/10 I've never and will never apologize for a rating I give, but I'll understand anyone who wants to come here and put up a fight over that rating. It's just the rating that I thought this film deserved overall.

NEXT UP: Le jour se leve...or Daybreak...Entering the home stretch of the 1930's and with only five films remaining, we begin those five with this one. Review will be up tomorrow night.

March 2, 2010 10:41pm

Monday, March 1, 2010

123. The Wizard of Oz (1939)

Running Time: 103 minutes
Directed By: Victor Fleming
Written By: Noel Langley, Florence Ryerson, Edgar Allan Woolf, from the novel The Wonderful Wizard of Oz by L. Frank Baum
Main Cast: Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Margaret Hamilton

ON MY JOURNEY I FOLLOWED THE YELLOW BRICK ROAD

Probably one of the most famous films in the history of cinema, our journey finally brings us to "The Wizard of Oz". While I'm not as gaga about this as most people tend to be, I can still admit that it's a definite movie viewing experience, that everyone should probably see at least once in their lifetime.

Dorothy Gale (Garland) lives in Kansas, on a farm, with her Aunt Em (short for Emily), her uncle Henry and three farm hands, as well as her little dog Toto. The film starts with Dorothy arriving home and complaining that Ms. Gulch struck at Toto, when he ran into her garden and chased her cat. The adults don't have time to listen to Dorothy's problems, as their busy taking care of the farm. Soon Ms. Gulch arrives in person, accompanied by a creepy score. She alleges that Toto bit her leg and that she had orders from the sheriff to seize the dog and bring him in to the authorities. Dorothy, obviously upset, goes to her room to cry it out, but it's not long when Toto sneaks away from the creepy, crabby Ms. Gulch and runs back home to Dorothy. When Dorothy sees Toto, she feels that her only hope of keeping him, is to run away. Dorothy runs, but is soon shown the error of her ways by an old fortune teller, who convinces her to return home. When Dorothy arrives back at the farm, a twister is approaching and she gets inside the house just in time to get clocked in the head by a window that gets blown out. A few moments later she wakes up, but she's not in Kansas anymore.

When Dorothy opens the door to her house, she finds that she's in the bright and colorful world of Oz and here the film switches from black and white to technicolor. Dorothy soon learns that her house was blown there by the twister and when it landed, it did so on top of the Wicked With of the East, killing her. Glenda the Good With soon arrives and relates this information to Dorothy and introduces her to the town of Munchkinland. After they sing Dorothy's praises for killing the Wicked With of the East, the Wicked With of the West shows up to see who killed her sister. She doesn't seem to concerned with her sister, and more concerned with the ruby slippers that she was wearing, which are now magically upon the feet of Dorothy. The Witch departs and Dorothy is told that if she's ever to get home, she'll need to travel the yellow brick road, all the way to Emerald City, where she'll find the great and powerful Wizard of Oz. She does so, and along the way meets several colorful characters, including The Scarecrow, who is in search of a brain, The Tin Man, who wants a heart and The Lion, who has no courage. They all travel the yellow brick road together to Emerald City, to seek the Wizard's help and get the things that they most desire. But the Wicked Witch of the West is still at large and plotting against Dorothy, the killer of her sister and the wearer of the magic ruby slippers.

Like I said in the beginning of the post, I'm not as gaga over this as some people tend to be. I guess I'm just not a fairy tale kind of guy and while I'll admit there are some lasting images that appear in the film, such as: the reveal of Oz and even Emerald City for that matter, in the end this one just doesn't do a whole lot for me. Now, be that as it may, I'll also admit that I think this is a picture that everyone should see at least one time. The colors are bright and beautiful and eventhough this wasn't the first film shot in Technicolor, it's still a nice touch when the film switches from grainy black and white, to explosive color. While I would give this film a perfect 10/10 for sets, costumes and cinematography, I still find the plot to be more up a child's alley and as an adult a lot of the tale just bored me to pieces. I understand why it's in the book, however "The Wizard of Oz" will never make a Top list of mine, as I just can't get as wrapped up in it as others do. There's nothing terrible about it, it's just not for me and while it's pretty to look at, I think this is a film that is just a bit more difficult to enjoy when you're older.

RATING: 5.5/10 Beautiful movie, just not for me guys. Like I said, if all I was judging on was sets, costumes and cinematography, then this would've been a definite '10'.

NEXT UP: Destry Rides Again...More Jimmy Stewart! I'm hoping to have the decade of the 30s wrapped up by this coming weekend, so this will be watched and reviewed tomorrow (or later today - it's after midnight here)

March 1, 2010 3:29am

Tuesday, February 16, 2010

104. Captains Courageous (1937)

Running Time: 115 minutes
Directed By: Victor Fleming
Written By: Marc Connelly, John Lee Mahin, Dale Van Every, from novel by Rudyard Kipling
Main Cast: Freddie Bartholomew, Spencer Tracy, Lionel Barrymore, Melvyn Douglas

A FANTASTIC, HEARTFELT FILM, THAT I THOROUGHLY ENJOYED

Moving ever closer to my first 101 movies watched, "Captains Courageous" makes a big bid to try and get into the Top 20 list that I'll be making when I do watch those first 101. This was a great movie, with some tearjerker scenes and one that I couldn't wait to get here and blog about.

Freddie Bartholomew plays Harvey Cheyne, a spoiled brat of a child, who's father (played by Melvyn Douglas) was never forced to be hands on with. His father, a rich business tycoon, leaves Harvey to his schoolwork and pays him his weekly allowances and glows, thinking that he's raising a proper, respectful young man. Meanwhile, Harvey has taken to blackmailing his professors at school and threatening his schoolmates to get ahead in life, even trying to pay $50 to a teacher to get him to make an exam a little easier. When Harvey runs is suspended from school, his father, after a long talk with Harvey's professors, decides it's high time to take Harvey under his wing and be the father that he never really was. He decides to take Harvey to Europe with him on a business trip, but even aboard the ship, Harvey's father doesn't have time for him, leaving him to fend for himself, while he takes care of business. After drinking six ice cream sodas, Harvey feels sick and wanting to impress the other children onboard the vessel and keep down the sodas, Harvey runs away to be alone, but the other boys chase him. Harvey winds up slipping off the deck and falling overboard!

No one notices that he's fallen overboard and he's quickly spotted by a small fishing vessel and the fisherman aboard it, Manuel Fidello, who then takes Harvey back to the main vessel. Once onboard, Harvey resorts to his snobbish ways, trying to offer money to the crew to take him, either to Europe or back to New York. The crew doesn't believe him when he tells them that his father is a rich businessman and even if they did, decide they cannot afford to spend two weeks taking Harvey back home. So Harvey is stuck aboard the fishing boat for three months, and he certainly puts up a fuss about it, refusing to help out or even eat. Eventually Manuel takes charge of the boy, convincing him to work and becoming close with the boy and Harvey soon learns the benefit of a hard day's work and what it's like to EARN a dollar.

The relationship that is established between the primary characters of Manuel and Harvey is one of the cinema's greatest and it's built like any good film relationship should be, by using dislike as the first step between the characters. I said before that Peter Warne was possibly my favorite character from the book thus far, but Spencer Tracy's portrayl of Manuel may just take the cake. The character of Manuel Fidello is one of the sweetest roles I've seen, as he talks about his dead father and how he's in heaven "fishing with the savior". It almost makes you want to go out and find a fishing boat and locate a man just like Manuel. The story is really good as well, as it flows along very nicely, building to the eventual and devastating climax. It's nice to see the transformation in the Harvey character, as well, as he goes from snobbish brat to eager helper and it all happens in the middle of the ocean, aboard a fishing vessel, with the good hearted Manuel singing his sea songs and playing his hurdy gurdy. I also want to note that this is the first movie from the '1001' book that has made me cry, and while I certainly won't say which part, readers who've seen it will definitely know which part.

RATING: 8.5/10 I knew I was pissed for a reason when I had to skip the first Spencer Tracy movie in the book. Tracy took home an Oscar for this movie, and rightfully so.

NEXT UP: Midnight Song...A chinese version of "The Phantom of the Opera"...sounds like a bore, especially considering the fact that I didn't even like Lon Chaney's version. We shall see.

February 16, 2010 2:02am

Sins of Omission - Entry #94: ZODIAC (2007)

Running Time: 157 minutes Directed By: David Fincher  Written By: James Vanderbilt, based on the book by Robert Graysmith Main Cast : Jake...