941. Beau Travail (1999)

Running Time: 90 minutes
Directed By: Claire Denis
Written By: Claire Denis, Jean-Pol Fargeau, from the story Billy Budd, Sailor by Herman Melville
Main Cast: Denis Lavant, Gregoire Colin, Michel Subor, Richard Courcet, Nicholas Duvauchelle
Click here to view the trailer

SERVE THE GOOD CAUSE AND DIE

Pushing through, despite the urge to take a much needed break, I come to "Beau Travail" - a French, military life film from director Claire Denis.

I'll be honest, I really couldn't make heads or tails out of this one. THE BOOK notes, and I quote: "Denis tells her stories through images rather than through dialogue and plot, with a gift for color, lighting and composition that is unsurpassed". That may be the reason that this film came off as Greek to me. As mentioned above, the film is a portrait of military life, inside the French Foreign Legion. The film is a narration by one character, Sergeant Galoup (Lavant), who recalls the glory days of proudly serving as a Legionnaire. The film seems to center around a feud that Galoup had with one of the men, Gilles Sentain (Colin), a regular private and someone who Galoup may or may not have repressed homosexual feelings about, which would explain his disdain for him. In fact, the whole film seems to have an undertone of homosexuality (not that there's anything wrong with that) and THE BOOK even notes that with this film Denis is paying homage to the beauty of the male specimen, something that isn't hard to miss.

Look, I'm really not sure what to say about this film. Like an entree at a fine dining restaurant, I tried it and I simply didn't like it. It's obvious that Denis was much less concerned with telling a story, but rather using images to get her points across and it rarely worked to draw me into any sort of relationship with the film. Sure, there were a few parts where I took a keener notice, than others. For example, watching these men be put through such rigorous exercises, day in and day out and watching each one's own technique in getting through the obstacles, was, in a way, fascinating. Also (and I really didn't pick up on it until THE BOOK suggested it) I like the idea that Galoup's ill will toward Sentain is because he is jealous/attracted to him. He's supposed to be this tough, soldier type and therefore, could never bring himself to tell Sentain how he feels, so the repression of those feelings causes an upchuck of bad vibes, toward Sentain. Perhaps he's even mad with himself for feeling that way, perhaps he's never felt that way before and of course, that would be why he shoots himself at the end of the film, because he simply is disgusted with himself...maybe.

Otherwise, unless those are themes and ideas that you want to explore, I can tell you that this film just isn't worth your time, unless your a BOOK hound and are trying to pick off each one, like myself. Otherwise, skip it, because there are much better films, with more "must see" qualities out there. Also, I know I've said it before (recently, in fact), but I am just SICK TO DEATH of war films or films centered around the Army and soldiers and stuff like that. It has never been an atmosphere that has appealed to me and even as THE BOOK heightens my cinematic taste buds, it's still a genre I just can't stomach. End of story.

RATING: 3/10  A few notches for effort and for the few scenes that weren't awful, but all in all a big stinker and one that I'm glad have under my belt.

MOVIES WATCHED: 681
MOVIES LEFT TO WATCH: 320

May 14, 2013  10:19pm

942. Being John Malkovich (1999)

Running Time: 113 minutes
Directed By: Spike Jonze
Written By: Charlie Kaufman
Main Cast: John Cusack, Cameron Diaz, Catherine Keener, John Malkovich, Orson Bean
Click here to view the trailer

MALKOVICH MALKOVICH MALKOVICH MALKOVICH...MALKOVICH

Another movie that I only needed to pull off my DVD shelf in order to watch, "Being John Malkovich" was an old favorite of mine, that I saw sometime near it's video release. Back then I loved it - thinking it innovative, clever, unique and original. Today...not so much.

Craig Schwartz (Cusack) is a struggling puppeteer, living with his wife Lotte (Diaz) and her many exotic, animal friends (including an iguana, a parrot and a chimp named Elijah) in New York. When his Craig's career as a puppeteer shows serious signs of turmoil, Lotte suggests that Craig get a day job, at least until the world is ready for Craig's "art". Craig reluctantly takes her advice and lands a job at the Mertin-Flemmer building, on the 7 1/2 floor, for LesterCorp, as a filing clerk. Here, Craig meets and begins to fall in love (or lust) with Maxine (Keener), a sexy co-worker who does not feel the same way about Craig. In fact, Maxine is almost disgusted by Craig, shooting him down at every turn. One night, while finishing up work at the office, Craig drops a file behind the filing cabinet. When he movies the cabinet, Craig finds a secret passageway and being just as curious as the next guy, decides to crawl inside and see what's what. What Craig finds is a portal that leads him directly into the head of acclaimed film star John Malkovich (playing himself). The "ride", however, only lasts for fifteen minutes before Craig is spit out on the side of the New Jersey turnpike. When he shares his discovery with Maxine, she sees it as an opportunity to make a little cash on the side and puts an ad in the paper - "Ever want to be someone else? Now you can!". Things get even more complicated when Maxine meets John Malkovich (face to face) and begins a romantic relationship with him and EVEN MORE complicated when Lotte goes through the portal and decides that she's a man trapped in a woman's body and forms a romantic attachment to Maxine. Must be seen to be believed.

SPOILER ALERT!

YES! It IS a must see, I'll give THE BOOK that. It's a must see because you can't just hear about this movie without having to see it & experience it for yourself and form your own opinions. Some will hate it with a passion, some will love it and then there's me, who, after today's viewing, sees the good and the bad. The good is the concept itself, which comes from the mind of Charlie Kaufman and reminds me of what a brilliant screenwriter he is, indeed. It also makes me wonder what's going on in that man's head to churn out a story the likes of "Being John Malkovich", not to mention "Eternal Sunshine of the Spotless Mind" (which should've been included in THE BOOK, as well) and "Adaptation" (which used to be included in THE BOOK and upon my last viewing, I liked it a lot). The story examines several different ideas, including a man who is so lonely, pathetic and uncomfortable in his own skin, that when he finds a portal into another man's skin, he ultimately never wants to leave. Also, a woman (Lotte) who questions her own sexuality and another woman (Maxine) who is caught in the middle. It's a film that definitely has it's moments and has some of the most unique storytelling you'll ever see. Even the whole spiel about the 7 1/2 floor, is, in it's own way, brilliant. The ending is also odd (in a good way) with Mr. Lester's revelation that he's been waiting until Malkovich was ripe, before he intends to enter him permanently and continue to live inside him until the next vessel (whomever that may be) becomes of ripe age, at which point he'll repeat the process and ultimately be immortal. Is there a plot hole at the end though? If Mr. Lester can take as many of his elder friends as he wants inside Malkovich, as well as Lotte, then why does Craig have to exit for him to be able to enter? Didn't really understand that...

The bad is that the film, this time around anyway, was just so unique that, at times, it came off as utter silliness. Sure it's unique and original and all that jazz, but why do I care about these people. Let's face it the characters are one-dimensional and aren't acting in a natural manner, therefore I never formed any emotional attachment to any of them. Sure, you can argue that this is an unnatural film, therefore the characters need to be acting in an unnatural manner, but it didn't work for me, at times. Also, what about the Malkovich character? Here's this innocent guy (who just happens to be a celebrity) who, through no fault of his own, has become part of this portal that leads people into his psyche. In the end, the Malkovich character is really the one we should be feeling sorry for, because for all intents and purposes, he was killed, in order for Lester and his buddies to enter into and become him. Then there's the whole lesbian relationship between Lotte and Maxine and throughout the entire movie Maxine just came off as a bitch, who was incapable of forming any real emotional relationships, who was always looking out for her own best interests. And then you've got Craig, who is trapped inside their daughter's head, seemingly forever, like a prisoner...do Lotte and Maxine know he's in there? And what did Craig ever do wrong to be the one who, in the end, is the victim of imprisonment? Is he punished for falling in love with Maxine? This is a poor guy, who was basically bullied by her, who's only misfortune was falling for her. Okay, okay I'm ranting and raving and it's getting a little out of hand, so I better just end this.

RATING: 6.5/10  Good, but a lot less good than the last time I watched it. Perhaps it needs yet another viewing, I don't know.

MOVIES WATCHED: 680
MOVIES LEFT TO WATCH: 321

May 13, 2013  11:33pm

945. The Sixth Sense (1999)

Running Time: 107 minutes
Directed By: M. Night Shyamalan
Written By: M. Night Shyamalan
Main Cast: Bruce Willis, Haley Joel Osment, Toni Collette, Olivia Williams, Donnie Wahlberg
Click here to view the trailer

"I SEE DEAD PEOPLE"

So it's been a few days since I've been blogging and I apologize for not warning you. Truth is, I didn't even know I'd be taking a short break and furthermore, I have to tell you that I'm getting just a little burnt out and am in desperate need of a break. However, I plan to charge ahead, since I'm so close to the 700 mark and really want to get there. Now then...

Where to begin, where to begin...ah yes! We start with Dr. Malcolm Crowe (Willis), observing him in his home, after recently winning an award for being an outstanding child psychologist. He is joined by his wife, Anna (Williams) and the two seem to be a pretty picture perfect couple. As they retire to their bedroom to...well you know, they realize that someone has broken in, in their absence, and that it's actually one of Malcolm's former patients, Vincent (Wahlberg) - one that he failed to help. The patient shoots him, shoots himself and then we fast forward to the following autumn. Nowadays Malcolm's marriage has gone from the picture of perfection that it once was and is now cold & distant, as Malcolm carries around the guilt of Vincent's suicide and his failure to rectify Vincent's personal demons. Now, Malcolm has a new patient - Cole Sear (Osment), a child who seems to be losing his grip with reality and acting stranger by the day. His mother (Collette) has (seemingly) acquired the assistance of Malcolm to try and help her son cope with the issues, which are thought to be brought on by the separation of her from Cole's father. The movie examines Malcolm's tactics as he tries to reach toward the heart of Cole's issues and becomes more eerie when the true nature of Cole's issues come to light...

SPOILER ALERT!

When "The Sixth Sense" came out, I was fifteen years old and still remember watching it for the first time and being totally surprised by the ending. I'm sure a more attentive viewer could've spotted the twist ending, as there are a boat load of clues to get you to guess what's really going on. However, I'm going to assume that a lot of people were genuinely caught off guard by the ultimate revelation. The hints are subtle enough and of course, they're much easier to spot once you know the ending: Anna pulling the cover over her shoulders when Malcolm sits beside her on the bed, the fact that Malcolm has absolutely no verbal communication with Anna or Cole's mom, etc, etc. And lets not give all the credit to the marvelous, extremely surprising ending, as this movie certainly had merit long before the revelation that Bruce Willis was indeed one of those "dead people". It was a fairly simple story about a boy who had the power to see ghosts and the revelation that, in order to get them to leave him alone, he had to help them take care of unfinished business.

You know, I can even remember scoffing at the idea of Osment being nominated for an Academy Award, but after today's rewatch of this film, I can say that he definitely deserved it. Viewing his performance with an even more cinematically trained eye was good for making me realize what a talent filled performance he gave - almost too good a performance to come out of an eleven year old boy. Everyone else does a fine job too and how fitting that I watched this on Mother's Day, as Collette portrays a very loving, concerned mother to a tee.

RATING: 8/10  Don't be surprised if my reviews get a little bit shorter from here until the 700 mark, as I'm raring to wrap this season up!

MOVIES WATCHED: 679
MOVIES LEFT TO WATCH: 322

May 12, 2013  8:54pm

166. Meet Me in St. Louis (1944)

Running Time: 113 minutes
Directed By: Vincente Minnelli
Written By: Irving Brecher, Fred F. Finklehoffe, from novel by Sally Benson
Main Cast: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake
Click here to view the trailer

FAMILY AND STUFF

Come hell or high water, "Meet Me in St. Louis" was apparently determined to be viewed THIS season. Under the blueprints of the old format, it was scheduled to be watched as part of "Vincente Minnelli" week. However, when the format was changed to the "5 and 5" method, it still came up and therefore, I was destined to have Judy Garland and a whole lot of melodrama shoved down my throat.

The film really isn't about anything, but instead is simply fodder for singing songs and showing a portrait of perfect family life & values, in the heart of America - via St. Louis. Okay, okay, so it has a loose plot, but it's barely there and trust me, it's really about that family stuff. The family is the Smith's (typical) and the one Minnelli is most concerned with touting is Esther Smith (Garland), a late teen - early twenty-something girl who spends her days swooning over her handsome next door neighbor, John Truett (Drake). Esther has three sisters - the eldest, Rose (Bremer) and two younger - and a brother. Of course, there's mom and dad too. Hell, there's even a grandpa and a maid, so it's a regular freakin' Brady Bunch. The film is really just a collection of vignettes, as we see the Smith's hosting a dinner party, a scene depicting the two younger sisters and the time they have during the Halloween festivities and we end around Christmastime and a big dance, where the eldest sister is forced to go with her brother (ewww). The brunt of the plot finally arrives, past the one hour mark, when Dad announces that he's moving the family to New York, for a career opportunity. The entire family acts as if it's the end of the world that they must leave the (apparent) paradise that is St. Louis and that takes us into the film's finale.

You know how when you go to the doctor and complain of a sore throat and they want to take an extra long q-tip and touch the back of your throat and you gag a little bit, because, let's face it, q-tips weren't meant to be touching the back of one's throat? Well, that's kind of equivalent to watching "Meet Me in St. Louis", because there are plenty of moments where you just want to gag. The film is just so damn wholesome and goody-goody, almost as if it's REQUIRED to be watched while sitting around a roaring fireplace, with Ma, Pa, Pappy and the family dog, Scruffy. The good news is, the fact that the songs seem to come out of nowhere is quite realistic, because you expect a gag inducing family like this to be singing songs round the clock, while they wait for the next big dance, family function or dinner party.

Okay, so maybe I'm being a little too hard on this one. It wasn't as bad as I'm making it out to be, but it's just about average at best and when I rate a movie average, I usually like to make a choice between praising the little that I can or just totally driving it into the ground. I've apparently chosen the latter here. It uses it's time wisely, doesn't drag and Lucille Bremer is a vision of loveliness. I also liked the guy who played the father (Leon Ames), but he was barely in the movie. I've also realized how much I really dislike Judy Garland and never want to see another one of her pictures, as long as I live. Liza Minnelli, if she valued my opinion, might be happy to know that I think her world's better than her mother and that's after only ever seeing her in one film - "Cabaret". Anyway, call it an average affair, a movie full of cringe worthy moments and way too wholesome for my tastes, but with enough good to not drag. Watch it around Christmas and you may be able to stomach it a little better, as it has a lot of qualities that may come off as more charming during the holidays.

RATING: 5.5/10  That's the best I can do. Let's hope that's the last Judy Garland movie in the book...I'm pretty sure it is!

MOVIES WATCHED: 678
MOVIES LEFT TO WATCH: 323

May 9, 2013  12:21am

168. LAURA (1944)

Running Time: 88 minutes
Directed By: Otto Preminger
Written By: Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt, from novel by Vera Caspary
Main Cast: Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson
Click here to view the trailer

OBSESSION

Watching from the old side slightly out of order, as it was meant to be "Meet Me in St. Louis" before "Laura", but I only had about an hour and a half to kill last night and so I went with the shorter choice. At this moment, I'm kind of glad I did, because "Laura" was a spectacular film that I'd put off for far too long.

Laura Hunt (Tierney) is dead and it's up to detective Mark McPherson (Andrews) to find out who did it. It won't be an easy task, however, because he has a suspect list as long as his arm. Perhaps the murderer, who gunned down Laura on Friday night, using a shotgun loaded with buckshot, is Shelby Carpenter (Price), her unfaithful fiance, who may have had more to gain from Laura's death than from her continuing to live. Perhaps it was Ann Treadwell (Anderson) or  Diane Redfem, two women who Shelby has a history with and one of whom is in love with him. Or perhaps it was Waldo Lydecker (Webb), a friend of Laura's, a sort of mentor to her. While Waldo's motives aren't terribly clear, anything is possible as McPherson digs deeper and deeper into the case of Laura Hunt and begins, himself, to fall deeper and deeper under the mysterious, drawing spell of the beauty of Laura Hunt.

SPOILER ALERT!!

I didn't want to give too much away with the plot synopsis, because this movie is full of twists, turns & unexpected events and it's a movie that should be experienced without an amateur critic giving away those surprises. In fact, what can I even say about "Laura", besides to tell you how good it is. Sure, it isn't the best thing I've seen this season or anything, but it was very good and a bit of a surprise, especially considering I actually started "Laura" a couple of years ago and then stopped it because I just wasn't in the mood for a classic noir. Boy, what was I thinking? Anyway, one of the main things that "Laura" needs to be lauded for is it's intricate story, which incorporates all those twists & turns I mentioned above and it all makes sense. In other words, it isn't twists & turns for the sake of twisting and turning - we're talking about an age of movies where they didn't do that. Nowadays, the presumed dead character can reappear, without any explanation, other than to mess with the audience's head and that's just stupid. In "Laura", it all makes sense. Did anyone else think that McPherson was going to wake up at some point and realize that Laura was actually still dead and it was only in his dreams that he envisioned actually meeting the girl that everyone spoke so highly of? After all, Laura's reappearance did happen as McPherson woke up from a nap, in Laura's apartment, just after gazing at her portrait. Even though that didn't happen, it was still good that you had that option in your head, as your list of outcomes that could possibly come true. It only helped to keep you guessing and guessing right down to the bitter end. THE BOOK also makes a good point, in posing this question: Was Lydecker in love with Laura, killing her because he could never have her or did he want to be Laura, killing her because he couldn't?

The other must be lauded quality of "Laura" is the cast. Can I just say what a shame it is that my generation only remembers Vincent Price for his voice work in Michael Jackson's "Thriller". He was amazing in this movie and instead of remembering him for his voice box, we should be remembering for his acting chops, because Shelby was one of the most interesting characters in the picture and the way Price played him was memorable. Everyone else does an outstanding job too and I mean that in the literal sense of that word - meaning they're performances stood out from other movies and were impossible not to recognize as amazing. Clifton Webb, Dana Andrews and Gene Tierney were all great and together this cast put out a movie that's going to be difficult to forget come TOP 20 time, even if it doesn't nab one of the top spots.

RATING: 7.5/10  Really good stuff, but it's sparring within a really amazing season and whether or not it can overcome that will have to be seen.

MOVIES WATCHED: 677
MOVIES LEFT TO WATCH: 324

May 8, 2013  11:58am

165. Ossessione (1943)

Running Time: 133 minutes
Directed By: Luchino Visconti
Written By: Luchino Visconti, Mario Alicata
Main Cast: Clara Calamai, Massimo Girotti, Dhia Cristiani, Elio Marcuzzo, Vittorio Duse

SOMETIMES THE POSTMAN RINGS FOUR TIMES

The second adaptation from THE BOOK of James M. Cain's "The Postman Always Rings Twice" comes from Italy and the eye of Luchino Visconti, one of the fathers (along with Rossellini) of the neo-realist movement. By the way, as I write this it's past midnight and I've been up since 6:30am, so bear with me folks...it's been a long day.

Some of you probably read my "The Postman Always Rings Twice" review, back in (I think) May of 2012. Of course, I'm referring to the Tay Garnett, Hollywood version of the film, starring Lana Turner and John Garfield. However, for those of you that missed it, I'll recount the plot. The film opens with a drifter, Gino (Girotti), arriving at a small, roadside restaurant, with no money in his pocket and a hungry belly. The restaurant is run by a husband and wife, Giuseppe and Giovanna (Calamai). The pair is as mismatched as the baker and his wife (of "The Baker's Wife"), with him being a portly, slovenly sort and she being a gorgeous Italian beauty. Right away Gino and Giovanna strike up a romance and Giovanna spills the beans about marrying Giuseppe when she was hard on her luck, no longer loving him and how even his touch makes her skin crawl. The immediately start hatching plans to run away together, but when they finally go through with it, Giovanna can't do it and insists on going back. Gino breaks off on his own, meets up with a street performer named Lo spagnolo (Marcuzzo) and the two work together for about six months, drifting together. By chance, Giuseppe and Giovanna run into Gino and during some time away from the husband, Gino and Giovanna have time to talk. They end up hatching a plan to kill Giuseppe, so that they can be together. They follow through with the plan, staging a car wreck and making it look like all three of them were involved, killing Giuseppe. Following this, Gino and Giovanna have a hard time coping with the guilt and quarreling begins, all the while trying to sidestep the police investigators.

Gonna' try to keep this short & sweet because, like I said, I'm pretty beat at this point in the night. Umm let's see here...oh yes, "Ossessione"! Better or worse than the Hollywood, Tay Garnett version? I'd have to say better and also note that in retrospect I overrated "The Postman Always Rings Twice", which I gave a '7' upon initial review. My main complaint with that version of the James M. Cain work was the circus that followed the murder of the husband. You get Turner and Garfield going through court, ratting on one another and just a big bunch of brouhaha that wasn't needed. I stated in THAT review that everything should've been kept as simple as possible and it would've been finer and dandier! In "Ossessione", this is actually what happens, as everything is kept pretty simple. There's no media or courtroom circus and following the murder of the husband (which wasn't nearly elaborate enough - a big nitpick), they continue on the simple side, by adding in a touch of paranoia and guilt to the characters, which works well. Gino gets fed up with Giovanna, (who has her sex appeal toned down in the second half, to make her less appealing to both us and Gino) and falls for another girl, this time a prostitute. Giovanna gets jealous, threatens to rat him out to the police, but has a change of heart and they make love on the beach. It doesn't matter though, because some passersby, from the night of the accident, come forward to the police and rat them out anyway. So, we skip the circus, get more story, in a more subtler form and it all works out better in the end.

I will say, however, that the film is too long. It runs just over two hours, but it feels like a lifetime, at times. Everything from Point A to Point B to Point C and so on, is pretty straight-forward, but sometimes it feels like it's taking an eternity to get there. For a movie that seemed to be really good and right on the money, it just bored me very much, at times. I also wasn't crazy about the acting, but will freely admit that Clara Calamai looked great! This was one of those movies, where everything (except nitpicky things) came together nicely, that I just didn't like for some reason, because I just couldn't click with it. I can freely admit that it was good and even better than "The Postman Always Rings Twice", but there was just something missing and I'm not sure what.

RATING: 6/10  Decent stuff, but maybe I just wasn't in the mood for it or something and a rewatch is probably needed someday. Until then, call it a '6'.

MOVIES WATCHED: 676
MOVIES LEFT TO WATCH: 325

May 7, 2013  12:46am

149. How Green Was My Valley (1941)

Running Time: 118 minutes
Directed By: John Ford
Written By: Philip Dunne, from novel by Richard Llewellyn
Main Cast: Roddy McDowall, Donald Crisp, Walter Pidgeon, Maureen O'Hara, Anna Lee
Click here to view the trailer

FORD HAVE MERCY ON ME!

Yes, it's another Irish (well it's Welsh, but who's counting) piece by John Ford. Some of you may remember my complete dislike for Ford's "The Quiet Man" earlier this same season and while this one was a smidge better, I still wasn't too keen on it.

The film is a slice of family life in a small, Welsh village where the majority of the villagers are coal miners. We zoom in on a typical family, consisting of a father (Crisp); mother; five brothers, including the youngest Huw (McDowall) and a sister (O'Hara). Together they are the Morgan family and everyday the four elder brothers and their father trot off to work in the dingy coal mines. They come home each night singing songs (not unlike the seven dwarfs), put their wages in Ma's apron, which she folds up to act as a basket and wash the coal dust from their bodies. They then gather round the table, like any wholesome, normal, full of love family and break bread together, giving thanks for what they have. Things are peachy keen until the wages at the mine are cut to make way for new workers, who agree to work for less money and a strike ensues. Father resists the strike and the talk of unionization, but his four elder sons insist that it's a must. Eventually his elder sons, never showing disrespect, decide to leave the house. Meanwhile, Huw, the youngest, falls into an icy river (a la George Bailey) and messes up his legs. Doctors say he'll likely never walk again, but a pep talk from the new preacher (Pidgeon) about faith gives him hope. He ultimately makes a full recovery and goes to school, where he learns that a man must learn to fight with his fists. The strike eventually ends, father returns to the mines and life goes on, with it's ups and downs, as it always will. We continue to watch the progression of the Morgan family, through their specific ups and downs.

Apparently back in 1941, John Ford was doing some serious palm greasing, because that's the only plausible explanation for "How Green Was My Valley" taking home the Oscar for Best Picture, especially considering it beat out "Citizen Kane". Granted, "Kane" isn't a favorite of mine, but it's a favorite of everyone else and it's even obvious to me that "Valley" beats "Kane" zero times out of one hundred. This picture was a little too wholesome, goody-goody and of it's time for this reviewer. It didn't age well, to say the least and this is yet another film that I watch while envisioning my grandparents, wrapped under an afghan, watching and loving every minute of it, on a dreary Sunday afternoon, likely after church. I just don't share Ford's passion for these slice of life, countryside dramas, filled with family values and characters that we follow through years upon years of their lives. He obviously had ideals and interests other than mine and seemed to make pictures that would allow him to reflect on a simpler time, one that is basically non-existent today.

Of course, it wasn't all bad and I'll give credit where it's due. I was engaged about half the time, while the other half the time my mind wanted badly to wander and forget about the dull picture that was spreading itself out before me. Donald Crisp was excellent, as was Walter Pidgeon and certain scenarios were interesting. By the way, the answer to the math question that Walter Pidgeon's character poses to Huw, at about the halfway point is four (I think). At times the picture gave off a cozy aura and while I watched it in my TV room today, wrapped under a blanket (because the air conditioner was on a tad too high), there were times when I wanted to doze off, not because I was bored, but because I was comfortable warmth generating from the screen. I guess that's not bad at all. Also, the narration is great and I can only assume that the narration is read word for word out of the novel, because it's so well written that it must be from a novelist and not a screenwriter.

RATING: 5/10  Let's slice it right down the middle and call it an average affair. I felt that I griped just as much as I praised and therefore a '5' seems fitting.

MOVIES WATCHED: 675
MOVIES LEFT TO WATCH: 326

May 4, 2013  9:17pm